I love thinking, and I love ideas. But an idea isnât fully formed until it can be expressed, in some form, with precision. Thatâs why I care not only about what we think and how we think, but also about how we communicate those thoughts.
Science offers an elegant way to describe the intricate yet simple rules governing our complex worldâeven the entire universeâwhich is why I study cosmology. Language, as one of the most powerful tools for expressing ideas, even being called as "the boundary of ideas", makes communication matter deeply to me. Furthermore, exploring interdisciplinary collaboration and communication allows me to push the limits of language, expanding how we convey ideas. But some thoughts resist both scientific equations and words. Thatâs where art comes inâit allows me to express the subtle, inexpressible aspects of my thinking that neither science nor language can fully capture.
Altogether, they shape my thoughts, my ideas, and ultimately, who I am.
My work
Wanders in Cosmology đ Iâm endlessly curious about the universe and how it's beautifully expressed in scientific equations. This curiosity fuels my PhD research at Duke, where I explore how humans understand and query the unknown in a scientific way. Besides, I also view telescopes as extensions of our sensory system. Art Realm homepage đ¨ I see art as a form of expression and communication. My work bridges art, science, and technology, exploring how man-made sensors extend our perception and how these tools shape human creativity. I hope to find a translation between sensors and our own sensory system. My recent art piece: Sensing the Invisible - Breathing Life into the Universe My Film Photography Portfolio Photography helps me notice the subtle details of life, relationships, and love, and reflect on my interactions with the world around me. Interdisciplinary Student Group homepage đ I co-founded and lead BRIDGErs, an interdisciplinary group dedicated to fostering connections across diverse fields through the power of human community.
Why such diversity in my work?
This is something I've recently come to understand. I used to simply follow my cravings for these diverse projects, but now I realize they all stem from one core question:Â What distinguishes us as humans from machines, especially in the era of AI?
Hereâs what Iâve found so far:
Our Sensory System:Â Unlike machines, we have a complex sensory system that shapes our consciousness and intelligence. While machines can have sensors, how do these compare to our innate human experiences?
Tool-Making:Â Humans create tools to overcome sensory limitations, like telescopes that allow us to see beyond our natural capabilities.
Human Collaboration:Â Unlike machines, human collaboration is messy and inefficientâyet it leads to extraordinary outcomes. Why is that?
How they go into my diverse work:
Cosmology Research: I study how humans seek to understand the unknown and question what roles humans should play in research alongside AI. Telescopes, to me, are not just scientific instruments but extensions of our sensory reach.
Interdisciplinary Club: Human collaboration, though often inefficient compared to machines, creates unique, irreplaceable outcomes. I want to understand why itâs challenging and how these inefficiencies contribute to remarkable achievements.
Art Projects: I explore how our sensory systems contribute to intelligence and creativity. While machines can use data from sensors, they don't yet integrate this information in the same intuitive, emotional ways that humans do. My art investigates how man-made sensors help us perceive beyond our biological limits, much like telescopes expand our vision.
At the heart of everything I do is a desire to explore the space between humans and machinesâto understand both, and to create meaningful conversations between them.
Public Outreach Efforts
Public Engagement & Science Communication
My outreach work connects astronomy, data, and creative expressionâbringing the invisible structures of the universe into tangible, human experience. Through talks, interactive installations, and collaborations with museums, I invite public audiences to see, feel, and question how scientific data shapes our understanding of the cosmos.
Boston Museum of Science â Harvesting a Star
On-stage presentation and interactive demo
In September 2025, I presented Harvesting a Star at the Boston Museum of Science, introducing how perception, light, and motion can transform astronomical data into embodied experience.
The session combined a live talk with hands-on demo activities, allowing visitors to experiment with interactive models and explore the boundaries between observation and imagination.
Connecting science and people: Standing beneath the Museumâs giant Earth installation just before my presentation â a moment of quiet anticipation before sharing how art and astronomy can meet on stage.
Open public presentation: The talk was delivered on the Museumâs open science stage, attracting a full-capacity audience from across multiple floors. Visitors gathered around, filling the space and engaging deeply throughout the session.Dynamic storytelling: Introducing the idea of âHarvesting a Starâ â using everyday metaphors and visuals to bridge abstract astrophysical concepts with tangible experience.Audience engagement: Visitors of all ages participated with curiosity and laughter, showing how creative framing and open dialogue can make complex science approachable.Interactive demo space: Besides the talk, participants joined the hands-on demo area where artistic and scientific tools invited tactile exploration of light, perception, and data.Public engagement in action: Continuous waves of museum-goers stopped to participate, reflecting how accessible design and storytelling can sustain audience interest and connection.Exploring details: The demo integrated art materials and sensors to let visitors intuitively connect physical gestures with cosmic imageryâlinking human perception to astronomical processes.Behind the setup: The *Harvesting a Star* demo activity featured multiple interactive stations blending code, electronics, and sensory materials, encouraging discovery through play and conversation.
Astronomy Days â North Carolina Museum of Natural Sciences
ArtâScience installation and public dialogue
At the annual Astronomy Days festival in February 2025, I showcased a demo for interactive installation merging space-data visualization with creative interpretation.
The exhibit invited participants to explore how scientific imagery can be re-imagined through sensory and emotional designâbridging the gap between analytical insight and artistic wonder.
Through open conversations, families and visitors reflected on how space exploration can inspire both scientific curiosity and personal connection.
Inviting curiosity: Welcoming visitors to explore Sensing the Invisible â blending cosmic imagery, data translation, and sensory design. The lively conversations that followed made this one of the most engaging outreach experiences yet.Interactive discovery: Sharing how sound, color, and motion can express hidden astronomical patterns. Visitors experimented with the setup, asked thoughtful questions, and offered creative interpretations in return.Community dialogue: Connecting with families, students, and educators throughout the day â every exchange brought fresh insight and feedback about how art can make astrophysics more relatable and human.
Publication and conference presentation â Sensing the Invisible: Breathing Life into the Universe
Exploring sensory translation of astrophysical data
This collaborative paper investigates how astronomical data can be transformed into multisensory artworks, integrating visualization, sound, and embodied interaction.
It reflects on design methodologies that make complex scientific systems perceptible through art and experience.
The project was presented at Expressive 2025 + WICED 2025, a joint international conference bringing together researchers, designers, and artists across technology, science, and creative disciplines.
During the presentation, I shared how data-driven art can deepen emotional and conceptual engagement with astrophysical phenomena, sparking dialogue among an interdisciplinary audience.
Expressive 2025 + WICED 2025 presentation: Presenting Sensing the Invisible: Breathing Life into the Universe to an interdisciplinary audience spanning art, design, science, and technology. The session invited dialogue on how data interpretation, embodiment, and visualization can merge into new forms of scientific storytelling.
Connecting Science and Imagination
Across these efforts, my goal is to translate research into experiencesâmaking discovery feel accessible and alive.
Whether through public talks, museum installations, or creative publications, I aim to foster a shared curiosity about how we sense and understand the universe around us.